Properly formatted unordered lists in readme.md

8 years ago · f37daa5343
parent 3ee346c07b
commit f37daa5343
1 changed files with 29 additions and 29 deletions
--- a/keyboards/s60_x/keymaps/bluebear/readme.md
+++ b/keyboards/s60_x/keymaps/bluebear/readme.md
@ -6,56 +6,56 @@ This layout was inspired in part by the HHKB line of keyboards and a quest to fi

 ## [BASE Layer](http://www.keyboard-layout-editor.com/##@_name=S60X%20-%20Bluebear%20-%20BASE%20layer&author=Ante%20Laurijssen&switchMount=cherry&switchBrand=outemu&switchType=PG150Q01-1&plate:true;&@_c=#ff7a00&fa@:0&:0&:0&:0&:0&:0&:0&:0&:0&:0&:9;;&=Esc%0A%0A%0A%0A%0A%0A%0A%0A%0A%0A%3Ci%20class/=%27kb%20kb-logo-commodore%27%3E%3C//i%3E&_c=#cccccc;&=!%0A1&=/@%0A2&=#%0A3&=$%0A4&=%25%0A5&=%5E%0A6&=/&%0A7&=*%0A8&=(%0A9&=)%0A0&=%7B%0A%5B&=%7D%0A%5D&=%7C%0A%5C&=~%0A%60;&@_w:1.5;&=Tab&=%22%0A%27&=%3C%0A,&=%3E%0A.&=P&=Y&=F&=G&=C&=R&=L&=?%0A//&=+%0A/=&_w:1.5;&=Backspace;&@_w:1.75;&=Ctrl%20(hold)%0AEsc%20%20(tap)&=A&=O&=E&=U&=I&=D&=H&=T&=N&=S&=/_%0A-&_w:2.25;&=Enter%20(tap)%0ACtrl%20(hold);&@_w:2.25;&=Shift%20(hold)%0A(%20(tap)&=/:%0A/;&=Q&=J&=K&=X&=B&=M&=W&=V&=Z&_w:2.75;&=Shift%20(hold)%0A)%20(tap);&@_w:1.25;&=Mouse%20Layer%20(hold)&_w:1.25;&=Win&_w:1.25;&=Alt&_a:5&w:6.25;&=Space%20(tap)%0AArrowFN%20Layer%20(hold)&_a:4&w:1.25;&=AltGr(h)%0AComp%20(t)&_w:1.25;&=Win&_w:1.25;&=Ctrl%20+%20Shift%20(oneshot)&_w:1.25;&=Ctrl%20+%20Alt%20(oneshot))

-Dvorak keyboard layout
-Hold left control key for LCTL, and tap it for ESC
-Hold enter key for RCTL and tap for ENT
-Hold the space key to momentarily switch to ARROWFN layer
-Left bottom key acts as momentary switch to the MOUSE layer
-Hold right alt key for AltGr and tap for APP(which I have mapped to Compose in OS)
-Hold left shift key for LSFT and tap for ( (Space Cadet style)
-Hold right shift key for RSFT and tap for ) (Space Cadet style)
-Tap key on bottom row, second from the right (where APP usually is) to get CTL-Shift (one shot modifier - next key pressed will be modified by ctl-shift)
-Tap key on bottom right to get CTL-Alt (one shot modifier - next key pressed will be modified by ctl-alt)
+- Dvorak keyboard layout
+- Hold left control key for LCTL, and tap it for ESC
+- Hold enter key for RCTL and tap for ENT
+- Hold the space key to momentarily switch to ARROWFN layer
+- Left bottom key acts as momentary switch to the MOUSE layer
+- Hold right alt key for AltGr and tap for APP(which I have mapped to Compose in OS)
+- Hold left shift key for LSFT and tap for ( (Space Cadet style)
+- Hold right shift key for RSFT and tap for ) (Space Cadet style)
+- Tap key on bottom row, second from the right (where APP usually is) to get CTL-Shift (one shot modifier - next key pressed will be modified by ctl-shift)
+- Tap key on bottom right to get CTL-Alt (one shot modifier - next key pressed will be modified by ctl-alt)

 ## [ARROWFN Layer](http://www.keyboard-layout-editor.com/##@_name=S60X%20-%20Bluebear%20-%20ARROWFN%20Layer&author=Ante%20Laurijssen&switchMount=cherry&switchBrand=outemu&switchType=PG150Q01-1&plate:true%3B&@_c=%23ff6b00&fa@:0&:0&:0&:0&:0&:0&:0&:0&:0&:0&:9%3B%3B&=Esc%0A%0A%0A%0A%0A%0A%0A%0A%0A%0A%3Ci%20class%2F=%27kb%20kb-logo-commodore%27%3E%3C%2F%2Fi%3E&_c=%23cccccc%3B&=F1&=F2&=F3&=F4&=F5&=F6&=F7&=F8&=F9&=F0&=F11&=F12&=To%20MIDI%20Layer&=To%20MORSE%20Layer%3B&@_a:7&w:1.5%3B&=&=&=&=&=&=&=&_a:4%3B&=PgUp&=%3Ci%20class%2F=%27kb%20kb-Arrows-Up%27%3E%3C%2F%2Fi%3E&_a:7%3B&=&=&=&_a:4%3B&=Ins&_w:1.5%3B&=Delete%3B&@_w:1.75%3B&=Caps%20Lock&=Home&_a:7%3B&=&_a:4%3B&=End&_a:7%3B&=&=&=&_a:4%3B&=%3Ci%20class%2F=%27kb%20kb-Arrows-Left%27%3E%3C%2F%2Fi%3E&=%3Ci%20class%2F=%27kb%20kb-Arrows-Down%27%3E%3C%2F%2Fi%3E&=%3Ci%20class%2F=%27kb%20kb-Arrows-Right%27%3E%3C%2F%2Fi%3E&_a:7%3B&=&=&_a:4&w:2.25%3B&=Enter%3B&@_a:7&w:2.25%3B&=&=&=&=&=&=&_a:4%3B&=Space&=PgDn&=Print%20Screen&=Scroll%20Lock&=Pause&_a:7&w:2.75%3B&=%3B&@_w:1.25%3B&=&_w:1.25%3B&=&_w:1.25%3B&=&_w:6.25%3B&=&_w:1.25%3B&=&_w:1.25%3B&=&_w:1.25%3B&=&_w:1.25%3B&=)

-Number row becomes F1 to F12
-C, T, H, N keys become Up, Down, Left, Right (equivalent to IJKL on QWERTY keyboard)
-Access to various other keys normally found on a full sized keyboard (INS, DEL, PSCR, SLCK, PAUSE, PGUP, PGDN, HOME, END)
-Top right button toggles MORSE layer
-Second from right, top row, toggles MIDI_BASE layer
-Holding Space-B lets you send Space repeatedly
-Hitting the LCTL button in this layer toggles caps lock
+- Number row becomes F1 to F12
+- C, T, H, N keys become Up, Down, Left, Right (equivalent to IJKL on QWERTY keyboard)
+- Access to various other keys normally found on a full sized keyboard (INS, DEL, PSCR, SLCK, PAUSE, PGUP, PGDN, HOME, END)
+- Top right button toggles MORSE layer
+- Second from right, top row, toggles MIDI_BASE layer
+- Holding Space-B lets you send Space repeatedly
+- Hitting the LCTL button in this layer toggles caps lock

 ## [MOUSE Layer](http://www.keyboard-layout-editor.com/##@_name=S60X%20-%20Bluebear%20-%20MOUSE%20Layer&author=Ante%20Laurijssen&switchMount=cherry&switchBrand=outemu&switchType=PG150Q01-1&plate:true;&@_c=#ff7f08&fa@:0&:0&:0&:0&:0&:0&:0&:0&:0&:0&:9;;&=Reset%0A%0A%0A%0A%0A%0A%0A%0A%0A%0A%3Ci%20class/=%27kb%20kb-logo-commodore%27%3E%3C//i%3E&_c=#cccccc;&=F13&=F14&=F15&=F16&=F17&=F18&=F19&=F20&=F21&=F22&=F23&=F24&_a:7;&=&=;&@_a:4&w:1.5;&=Debug&_a:7;&=&=&=&=&=&=&_a:4;&=Mouse%20Button%201&_f:3;&=Mouse%0A%0A%0A%0A%0A%0A%0A%0A%0A%0A%3Ci%20class/=%27kb%20kb-Arrows-Up%27%3E%3C//i%3E&=Mouse%20Button%202&_f:3;&=Mouse%20Wheel%0A%0A%0A%0A%0A%0A%0A%0A%0A%0A%3Ci%20class/=%27kb%20kb-Arrows-Up%27%3E%3C//i%3E&_a:7;&=&=&_w:1.5;&=;&@_a:4&w:1.75;&=Ctl+%0ADel%0A%0A%0A%0A%0AAlt+&_a:7;&=&=&=&=&=&=&_a:4&f:3;&=Mouse%0A%0A%0A%0A%0A%0A%0A%0A%0A%0A%3Ci%20class/=%27kb%20kb-Arrows-Left%27%3E%3C//i%3E&_f:3;&=Mouse%0A%0A%0A%0A%0A%0A%0A%0A%0A%0A%3Ci%20class/=%27kb%20kb-Arrows-Down%27%3E%3C//i%3E&_f:3;&=Mouse%0A%0A%0A%0A%0A%0A%0A%0A%0A%0A%3Ci%20class/=%27kb%20kb-Arrows-Right%27%3E%3C//i%3E&_f:3;&=Mouse%20Wheel%0A%0A%0A%0A%0A%0A%0A%0A%0A%0A%3Ci%20class/=%27kb%20kb-Arrows-Down%27%3E%3C//i%3E&=Mouse%20Button%203&_a:7&w:2.25;&=;&@_a:4&w:2.25;&=Magic%0AToggle%0A%0A%0A%0A%0ASysRq&_a:7;&=&=&=&=&=&=&=&=&=&=&_w:2.75;&=;&@_w:1.25;&=&_w:1.25;&=&_w:1.25;&=&_a:5&w:6.25;&=Power&_a:7&w:1.25;&=&_w:1.25;&=&_w:1.25;&=&_w:1.25;&=)

-Move the mouse with mouse keys
-Hitting the escape key in this layer will give RESET, which puts the controller into dfu mode for flashing firmware onto it
-If Debug is enabled, hitting the TAB key in this layer activates debugging to the console when listening with hid-listen
-TFS button (Three Finger Salute) sends Ctl-Alt-Del
-MAGSYS toggles the Magic SysRq key (works only in Linux)
-Hitting the space key in this layer is like hitting power button on computer
-Number row becomes F13 to F24
+- Move the mouse with mouse keys
+- Hitting the escape key in this layer will give RESET, which puts the controller into dfu mode for flashing firmware onto it
+- If Debug is enabled, hitting the TAB key in this layer activates debugging to the console when listening with hid-listen
+- TFS button (Three Finger Salute) sends Ctl-Alt-Del
+- MAGSYS toggles the Magic SysRq key (works only in Linux)
+- Hitting the space key in this layer is like hitting power button on computer
+- Number row becomes F13 to F24

 ## [MIDI_BASE Layer](http://www.keyboard-layout-editor.com/##@_name=S60X%20-%20Bluebear%20-%20MIDI%20BASE%20Layer&author=Ante%20Laurijssen&switchMount=cherry&switchBrand=outemu&switchType=PG150Q01-1&plate:true;&@_c=#ff8300&a:5&fa@:9;;&=%3Ci%20class/=%27kb%20kb-logo-commodore%27%3E%3C//i%3E%0ABASE%0A%0A%0ALayer&_c=#cccccc&a:4&f:3;&=%F0%9F%8E%B6%0ACmaj&_f:3;&=%F0%9F%8E%B6%0AGmaj&_f:3;&=%F0%9F%8E%B6%0ADmaj&_f:3;&=%F0%9F%8E%B6%0AAmaj&_f:3;&=%F0%9F%8E%B6%0AEmaj&_f:3;&=%F0%9F%8E%B6%0ABmaj&_f:3;&=%F0%9F%8E%B6%0AF#maj%0A%0A%0A%0A%0AGbmaj//&_f:3;&=%F0%9F%8E%B6%0AC#maj%0A%0A%0A%0A%0ADbmaj//&_f:3;&=%F0%9F%8E%B6%0AG#maj%0A%0A%0A%0A%0AAbmaj&_f:3;&=%F0%9F%8E%B6%0AD#maj%0A%0A%0A%0A%0AEbmaj//&_f:3;&=%F0%9F%8E%B6%0AA#maj%0A%0A%0A%0A%0ABbmaj//&_f:3;&=%F0%9F%8E%B6%0AFmaj&_a:7;&=&_a:4&f:3;&=To%0AChord%0A%0A%0A%0A%0AMidi;&@_f:3&w:1.5;&=Octave%20Up&_a:7;&=&_a:4&f:3;&=%E2%99%A9%0AC#//Db&_f:3;&=%E2%99%A9%0AD#//Eb&_a:7;&=&_a:4&f:3;&=%E2%99%A9%0AF#//Gb&_f:3;&=%E2%99%A9%0AG#//Ab&_f:3;&=%E2%99%A9%0AA#//Bb&_a:7;&=&_a:4&f:3;&=%E2%99%A9%0AD1b%0A%0A%0A%0A%0AC1#//&_f:3;&=%E2%99%A9%0AE1b%0A%0A%0A%0A%0AD1#//&_a:7;&=&=&_w:1.5;&=;&@_a:4&f:3&w:1.75;&=Octave%20Down&_f:3;&=%E2%99%A9%0AC&_f:3;&=%E2%99%A9%0AD&_f:3;&=%E2%99%A9%0AE&_f:3;&=%E2%99%A9%0AF&_f:3;&=%E2%99%A9%0AG&_f:3;&=%E2%99%A9%0AA&_f:3;&=%E2%99%A9%0AB&_f:3;&=%E2%99%A9%0AC1&_f:3;&=%E2%99%A9%0AD1&_f:3;&=%E2%99%A9%0AE1&_f:3;&=%E2%99%A9%0AF1&_a:7&w:2.25;&=;&@_a:4&f:3&w:2.25;&=%F0%9F%8E%B6%0ACm&_f:3;&=%F0%9F%8E%B6%0AGm&_f:3;&=%F0%9F%8E%B6%0ADm&_f:3;&=%F0%9F%8E%B6%0AAm&_f:3;&=%F0%9F%8E%B6%0AEm&_f:3;&=%F0%9F%8E%B6%0ABm&_f:3;&=%F0%9F%8E%B6%0AF#m%0A%0A%0A%0A%0AGbm//&_f:3;&=%F0%9F%8E%B6%0AC#m%0A%0A%0A%0A%0ADbm//&_f:3;&=%F0%9F%8E%B6%0AG#m%0A%0A%0A%0A%0AAbm//&_f:3;&=%F0%9F%8E%B6%0AD#m%0A%0A%0A%0A%0AEbm&_f:3;&=%F0%9F%8E%B6%0AA#m%0A%0A%0A%0A%0ABbm//&_f:3&w:2.75;&=%F0%9F%8E%B6%0AFm;&@_a:7&w:1.25;&=&_w:1.25;&=&_w:1.25;&=&_a:5&f:3&w:6.25;&=All%20notes%20off&_a:7&w:1.25;&=&_w:1.25;&=&_w:1.25;&=&_w:1.25;&=)

 This layer was inspired by the [Satan Midi layout](https://github.com/qmk/qmk_firmware/tree/master/keyboards/satan/keymaps/midi) and gives access to basic MIDI notes. What I added were two layers of MIDI chords (major and minor triads) arranged in a circle of fifths pattern. Thanks to @fredizzimo for helping me with the code for these.

-Top right button toggles MORSE_CHORDS layer
-Escape brings you back to the BASE layer
+- Top right button toggles MORSE_CHORDS layer
+- Escape brings you back to the BASE layer

 ## [MIDI_CHORD Layer](http://www.keyboard-layout-editor.com/##@_name=S60X%20-%20Bluebear%20-%20MIDI%20CHORD%20Layer&switchMount=cherry&switchBrand=outemu&switchType=PG150Q01-1&plate:true&pcb:false;&@_c=#ff8300&a:5&fa@:9;;&=%3Ci%20class/=%27kb%20kb-logo-commodore%27%3E%3C//i%3E%0ABASE%0A%0A%0ALayer&_c=#cccccc&a:4&f:3;&=%F0%9F%8E%B6%0ACmaj&_f:3;&=%F0%9F%8E%B6%0AGmaj&_f:3;&=%F0%9F%8E%B6%0ADmaj&_f:3;&=%F0%9F%8E%B6%0AAmaj&_f:3;&=%F0%9F%8E%B6%0AEmaj&_f:3;&=%F0%9F%8E%B6%0ABmaj&_f:3;&=%F0%9F%8E%B6%0AF#maj%0A%0A%0A%0A%0AGbmaj//&_f:3;&=%F0%9F%8E%B6%0AC#maj%0A%0A%0A%0A%0ADbmaj//&_f:3;&=%F0%9F%8E%B6%0AG#maj%0A%0A%0A%0A%0AAbmaj&_f:3;&=%F0%9F%8E%B6%0AD#maj%0A%0A%0A%0A%0AEbmaj//&_f:3;&=%F0%9F%8E%B6%0AA#maj%0A%0A%0A%0A%0ABbmaj//&_f:3;&=%F0%9F%8E%B6%0AFmaj&_f:3;&=To%20Midi%20Base&_a:7;&=;&@_a:4&f:3&w:1.5;&=Octave%20Up&_f:3;&=%F0%9F%8E%B6%0ACm&_f:3;&=%F0%9F%8E%B6%0AGm&_f:3;&=%F0%9F%8E%B6%0ADm&_f:3;&=%F0%9F%8E%B6%0AAm&_f:3;&=%F0%9F%8E%B6%0AEm&_f:3;&=%F0%9F%8E%B6%0ABm&_f:3;&=%F0%9F%8E%B6%0AF#m%0A%0A%0A%0A%0AGbm//&_f:3;&=%F0%9F%8E%B6%0AC#m%0A%0A%0A%0A%0ADbm//&_f:3;&=%F0%9F%8E%B6%0AG#m%0A%0A%0A%0A%0AAbm//&_f:3;&=%F0%9F%8E%B6%0AD#m%0A%0A%0A%0A%0AEbm//&_f:3;&=%F0%9F%8E%B6%0AA#m%0A%0A%0A%0A%0ABbm//&_f:3;&=%F0%9F%8E%B6%0AFm&_a:7&w:1.5;&=;&@_a:4&f:3&w:1.75;&=Octave%20Down&_f:3;&=%F0%9F%8E%B6%0AC7&_f:3;&=%F0%9F%8E%B6%0AG7&_f:3;&=%F0%9F%8E%B6%0AD7&_f:3;&=%F0%9F%8E%B6%0AA7&_f:3;&=%F0%9F%8E%B6%0AE7&_f:3;&=%F0%9F%8E%B6%0AB7&_f:3;&=%F0%9F%8E%B6%0AF#7%0A%0A%0A%0A%0AGb7//&_f:3;&=%F0%9F%8E%B6%0AC#7%0A%0A%0A%0A%0ADb7//&_f:3;&=%F0%9F%8E%B6%0AG#7%0A%0A%0A%0A%0AAb7//&_f:3;&=%F0%9F%8E%B6%0AD#7%0A%0A%0A%0A%0AEb7//&_f:3;&=%F0%9F%8E%B6%0AA#7%0A%0A%0A%0A%0ABb7//&_f:3&w:2.25;&=%F0%9F%8E%B6%0AF7;&@_f:3&w:2.25;&=%F0%9F%8E%B6%0ACdim7&_f:3;&=%F0%9F%8E%B6%0AGdim7&_f:3;&=%F0%9F%8E%B6%0ADdim7&_f:3;&=%F0%9F%8E%B6%0AAdim7&_f:3;&=%F0%9F%8E%B6%0AEdim7&_f:3;&=%F0%9F%8E%B6%0ABdim7&_f:3;&=%F0%9F%8E%B6%0Adim7%0A%0A%0A%0A%0AGb&_f:3;&=%F0%9F%8E%B6%0Adim7%0A%0A%0A%0A%0ADb&_f:3;&=%F0%9F%8E%B6%0Adim7%0A%0A%0A%0A%0AAb&_f:3;&=%F0%9F%8E%B6%0Adim7%0A%0A%0A%0A%0AEb&_f:3;&=%F0%9F%8E%B6%0Adim7%0A%0A%0A%0A%0ABb&_f:3&w:2.75;&=%F0%9F%8E%B6%0AFdim7;&@_a:7&w:1.25;&=&_w:1.25;&=&_w:1.25;&=&_a:5&f:3&w:6.25;&=All%20notes%20off&_a:7&w:1.25;&=&_w:1.25;&=&_w:1.25;&=&_w:1.25;&=)

 After figuring out how to code my MIDI chord function, I decided to dedicate a full layer to these chords. This chord layout was inspired by the [Stradella Base system](https://en.wikipedia.org/wiki/Stradella_bass_system) found on accordions. This layer is a tool for musical composition and songwriting. Originally, I had written the chord functions using the F(n) functions, but finally ended up using process_record_user and custom keycodes. I think this was a more efficient and elegant way of coding these.

-Second from right, top row, toggles MIDI_BASE layer
-Escape brings you back to the BASE layer
+- Second from right, top row, toggles MIDI_BASE layer
+- Escape brings you back to the BASE layer

 ## [MORSE LAYER](http://www.keyboard-layout-editor.com/##@_name=S60X%20-%20Bluebear%20-%20MORSE%20Layer&author=Ante%20Laurijssen&switchMount=cherry&switchBrand=outemu&switchType=PG150Q01-1&plate:true;&@_c=#ff8a00&a:5&fa@:9;;&=%3Ci%20class/=%27kb%20kb-logo-commodore%27%3E%3C//i%3E%0ABASE%0A%0A%0ALayer&_c=#cccccc&a:4&fa@:5&:5;;&=-.-.--%0A.----&=.--.-.%0A..---&=%0A...--&=...-..-%0A....-&=%0A.....&=%0A-....&=.-...%0A--...&=%0A---..&=-.--.%0A----.&=-.--.-%0A-----&_a:7;&=&=&=&=;&@_w:1.5;&=&_a:4;&=.-..-.%0A.----.&=%0A--..--&=%0A.-.-.-&=.--.&=-.--&=..-.&=--.&=-.-.&=.-.&=.-..&=..--..%0A-..-.&=.-.-.%0A-...-&_f:3&w:1.5;&=Backspace;&@_a:7&w:1.75;&=&_a:4&f:3;&=.-&_f:3;&=---&_f:3;&=.&_f:3&n:true;&=..-&_f:3;&=..&_f:3;&=-..&_f:3&n:true;&=....&_f:3;&=-&_f:3;&=-.&_f:3;&=...&_f:3;&=..--.-%0A-....-&_f:3&w:2.25;&=Enter;&@_f:3&w:2.25;&=Shift&_f:3;&=---...%0A-.-.-.&_f:3;&=--.-&_f:3;&=.---&_f:3;&=-.-&_f:3;&=-..-&_f:3;&=-...&_f:3;&=--&_f:3;&=.--&_f:3;&=...-&_f:3;&=--..&_f:3&w:2.75;&=Shift;&@_a:7&w:1.25;&=&_w:1.25;&=&_w:1.25;&=&_a:5&f:3&w:6.25;&=Space%20(%5C%20)&_a:7&w:1.25;&=&_w:1.25;&=&_w:1.25;&=&_w:1.25;&=)

 This layer is really just for fun, and because I am a ham radio operator and morse code enthusiast. Hitting the alphanumerical keys in this layer will send a series of dits (.) and dahs (-) representing that character in morse code. This is all done through M(n). There are also a couple of characters that are sent through a shifted key on a regular layout, like @ or !. The same applies on this layer. And because I type using the Dvorak layout, this layer is also arranged in this manner. 

-Escape brings you back to the BASE layer
+- Escape brings you back to the BASE layer

 ### THIS IS STILL A WORK IN PROGRESS